The Ass by Westbrook Music Theatre
Tracklist
| 1. | The Ass Dreams | 11:56 |
| 2. | The Long Drawn Bray | 1:16 |
| 3. | His Big Furry Head | 5:10 |
| 4. | The Steppes of Tartary | 5:57 |
| 5. | The Rut of Love | 4:30 |
| 6. | The Triumphant Entry | 9:12 |
| 7. | Porta Cappachini | 3:16 |
| 8. | Lu Me Sceccu | 10:48 |
| 9. | Sciccareddu | 7:48 |
| 10. | Escaping To Egypt | 2:36 |
| 11. | All Mares Are Dead | 4:22 |
Credits
released January 29, 2021
Personnel
Stephen Boxer as D H Lawrence
THE SICILIAN BAND
Kate Westbrook voice / tenor horn / sicilian triscaletta
Trevor Allan voice / accordion / clarinet
Lesia Melnyk voice / violin / mandolin
Peter Whyman voice / clarinet / soprano & alto saxophones
Mike Westbrook voice / piano / tuba
Words by D H Lawrence from his poem 'The Ass' and his letters from Taormina.
Except 'Lu Me Scecca', a traditional Sicilian song,
with English lyrics by Kate Westbrook.
Recorded in London December 1985.
Thanks to Sergio Amadori for the album contents photo
Review
Musically the best thing in the show is a marvellous song about a beloved donkey that the Westbrooks ran to earth in Sicily. But their original work beautifully accommodates jazz, squeeze-box dances, and folk idioms ranging on the Moorish - all of which reflects Lawrence's idea of being on the edge of Europe.
The Times
Personnel
Stephen Boxer as D H Lawrence
THE SICILIAN BAND
Kate Westbrook voice / tenor horn / sicilian triscaletta
Trevor Allan voice / accordion / clarinet
Lesia Melnyk voice / violin / mandolin
Peter Whyman voice / clarinet / soprano & alto saxophones
Mike Westbrook voice / piano / tuba
Words by D H Lawrence from his poem 'The Ass' and his letters from Taormina.
Except 'Lu Me Scecca', a traditional Sicilian song,
with English lyrics by Kate Westbrook.
Recorded in London December 1985.
Thanks to Sergio Amadori for the album contents photo
Review
Musically the best thing in the show is a marvellous song about a beloved donkey that the Westbrooks ran to earth in Sicily. But their original work beautifully accommodates jazz, squeeze-box dances, and folk idioms ranging on the Moorish - all of which reflects Lawrence's idea of being on the edge of Europe.
The Times







