No by takeshi HAYASHI
Can't we go back? Evolution is important. But some laugh in the shadows of the evolution of deception. They have sold our dreams and culture. We continue to say No. Return to nature, live with the earth.
Since last year, I have been exploring composing using patching.
I believe there is logic in sensation, but because it is multifaceted and complex, it is rarely visible as a theory.
I believe that patching compositions involve some kind of abstraction, and that these changes require an aesthetic appreciation of the senses.
This time, I wanted to emphasize the clarity of like a live performance rather than heaviness.
Track 1 is composed using field recordings, granular synthesis, and sampling; Track 2 is composed based on organ keyboard playing; and Track 3 is composed using VCV Rack patching.
In this way, this album employs a variety of techniques.
I'd like you to listen on not only headphones also speakers a little loud volume, and an analog AMP is better!
Track 1 was inspired by my work with Steven Ray. Thank you so much.
https://stevenraysound.bandcamp.com
Tracklist
| 1. | The final alarm bell rings out | 2:39 |
| 2. | Gebet für die Verrückten und Gefangenen 2025 | 2:40 |
| 3. | Flames of hope in the wind | 4:06 |
| 4. | The sun still burns | 2:27 |
Credits
field recording, processing, patching, sound design : takeshi HAYASHI
mixed, mastered : tH, Acoustic Spectra Communication Studio
produced August 9th -September 1st 2025
License
All rights reserved.Tags
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https//thayas.themedia.jp
Aiming for unique musical structures with unique sounds. Completed a master's degree in physics and media arts. Former development engineer at an automobile manufacturer. Has tried all kinds of synthesizers and programming. Although not skilled, the acoustic instrument that he has found most comfortable so far is the violin.