An accrual of crumbling electronics and slow feedback, "Head Crash" exists on the brink of collapse โ just before fluctuating waveforms fall into interference. "Head Crash" offers a compounded extrapolation of the variables present, without committing to any one of them โ placing itself and the listener at a crossroads where multiple directions feel simultaneously possible. GUESSWORK reduces the role of the composer โ emphasizing material that emerges without overt intervention, with the primary movement being the migration of the listener's attention around the stereo field.